Comics: September 2007

Hobo superhero from the golden age of comics

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"Again With the Comics" has an article about a hobo superhero named "The Vagabond," who debuted in U.S.A. Comics #1 in 1941.

Like many handsome millionaire playboys/crusading district attorneys/ frustrated beat cops of comics’ Golden Age, Murphy decided to fight crime anonymously by taking on the dramatic secret life of a costumed crime fighter. Unlike those others, a mere domino mask and opera cape would not be sufficient. Apparently, to fight crime in Middleton, one must become more retarded than crime.

“I need a disguise that will strike terror into criminal hearts! I shall become a creature of the night! I shall become...a comical, roly-poly cartoon hobo!!”

Thus was born the Vagabond, a.k.a. Chauncey Throttlebottom III, the first bumfighter. With a fake gut, rosy-red nose and clown lips, smoking a cigar, this utter fucking lunatic took on the city’s crime wave.

Marvel has an anthology of U.S.A Comics, which includes the Vagabond, along with other Golden Age characters including The Defender, Major Liberty, Rockman, Rusty, the Young Avenger, the Whizzer, and Jack Frost. Link

Xkcd webcomic on online sexism


Today on the brilliant nerdy webcomic xkcd: a trenchant and very funny commentary on online sexism, especially as practiced in the techier corners of the net. Link

See also:
Cory Doctorow cosplayers at the XKCD picnic
Geeky comic strip uses Cory as the punchline
Geeky comic about chess and roller-coasters
Xkcd fans bring chess-sets on roller-coasters
Nerd humor about Katamari Damacy
Bloggin' 'bout my generation
Pi joke
Funny map of online communities in the style of a D&D map
Sarcastic comic about computational linguistics (and emo kids)
Where LOLCats come from
Ironic Internet malapropism grid

Klassic Komix Klub #3 by Johnny Ryan

Klassic Komix Klub Vol 3 -- Johnny Ryan's hideous, sickening, revolting, vile, lewd, obscene, nauseating, puerile, infantile, distasteful, foul, nasty, vomitous, loathsome, offensive, appalling, outrageous, objectionable, shocking, horrifying, scandalous, monstrous, unspeakable, shameful, vile, odious, obnoxious, detestable, hateful, contemptible, despicable, deplorable, and abominable comic book -- is now available!

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Klassic Komix Klub #3 —- the spanking-new sequel to Klassic Komix Klub #2, published in Spring 2007 —- is a limited edition comic recently self-published by Johnny. KKK #3 collects 24 highly scatological, not-for-the-squeamish classic literature parody strips into one gorgeous package, wrapped up in a display-worthy three-color letterpress printed (on fancy paper with bright inks) wraparound cover produced by Buenaventura Press. Only 200 copies were produced and we have limited quantities available. Each copy is signed and numbered. Various inks and papers were used, the pic above shows samples of what you might receive. Please note that Johnny's last few parody books sold out extremely fast; also these are not available in stores. Only $10.
Link

Teacher resigns after giving 13-yr-old student copy of Eightball

A high school English teacher in Connecticut was forced to resign after the parents of a 13-year-old girl complained that he gave her a copy of Daniel Clowes' Eightball, a comic book published by Fantagraphics.

Daniel Clowes wrote the screenplays for Ghost World and Art School Confidential. His comics books often deal with adult subjects, but are PG-13, not "lewd" or "pornographic." He has also started a new weekly comic that appears in the New York Times magazine on Sundays called Mister Wonderful, which you can read online.

200709241209 The parents of a freshman student whose teacher resigned after he gave her a sexually explicit illustrated book said Wednesday their daughter has been the target of harassment from fellow students, and they want the school district to do more to clarify the issue with other parents.

The girl’s father, who asked that his family remain anonymous because it has already been the target of criticism, described the graphic novel that English teacher Nate Fisher gave the student as “borderline pornography.”

The book, one of a series of comic book novels by Daniel Clowes, is called “Eightball #22.” It includes references to rape, various sex acts and murder, as well as images of a naked woman, and a peeping tom watching a woman in the shower.

“It’s not even like a gray area,” the father said. “It’s clearly over the line.”

Link

10-part series on comic book exec Ira R. Schnapp

Coop says: "Insanely detailed ten-part post on Ira R. Schnapp, the most impressive typography/logo/stamp designer you've never heard of. Very cool and fascinating."
200709201310 But who in the world is I.R. Schnapp? Why does HE deserve to be ranked among the hallowed creators who guided Superman through his earliest adventures? And why as “Senior Vice President of Advertising,” of all things? The surprising answer: Schnapp deserves to be there, perhaps more so than any of the others, because all the other people on this masthead came to Superman after his first adventure had been published. Not Schnapp. He was there from the very beginning. Schnapp was, as they say, “present at the creation.”

Ira R. Schnapp was an eyewitness to the first-ever appearance of the Man of Steel. He also saw the debuts of the Caped Crusader, the Scarlet Speedster, the Emerald Gladiator, and the Amazing Amazon... in person. He was there the day Barry Allen raced across the bridge between the earths and became the Flash of Two Worlds. He saw the mightiest heroes of comics' Golden Age unite for the first time to form the Justice Society of America. And he witnessed the unforgettable first meeting of the JSA and Justice League of America with his own eyes. Through it all, there was one constant, and one constant alone: IRA SCHNAPP.

Link

Pre-order my new comic book series

IDW comics have produced a six-issue series of comics based on my short stories (they've adapted Anda's Game, After the Siege, Craphound, I, Robot, When Sysadmins Ruled the Earth, and Nimby and the D-Hoppers). I had approval on all the scripts, interiors and covers -- and I'm really happy with the caliber of work IDW got for me. The series launches this month with Anda's Game, and IDW will sell you a subscription to the whole run for $23.99. Once the series concludes, IDW will publish a trade paperback collection, and we'll be doing a Creative Commons release of the whole work to coincide with the trade. Link

See also:
IDW will do six comics based on my stories
Sam Kieth cover for comic of Cory's Anda's Game Model contract clause for works in Creative Commons

Batman by Dostoyevsky

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"Again With the Comics" has a scan of Crime and Punishment, by Fyodor Dostoyevsky, and adapted for Drawn and Quarterly in 2000 by R. Sikoryak. Link (Via Laughing Squid)

Comic-geek fuel-tank door decals from Japan


Love these "otaku" fuel-tank decals from Comiket, the world's largest comics convention, held recently in Tokyo. Link (via Growabrain)

Controversial product: Suicide bomber character

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The Uncle Abdul suicide bomber character from the Seamour Sheep comic strip series will be available as a collector's vinyl figure from Crazy Label. A controversial item, indeed.

From the creator:

We hope that the release of the Uncle Abdul figure will help to ironize the act of suicide bombing and acts of violence in general. In our humble opinion no subject should be an absolute taboo that is free from any satire, because satire is not only meant to make people laugh, but sometimes also to wake them up and make them think and discuss.
Link

Defense Contractor comix: triumph of the robotic will

Defense contractor Northrop Grumman has published a comic book promoting drones and "nintendo warfare" for kids. Special Ops 5: UAS STRIKES! tells the story of a group of pinned-down US soldiers who extricate themselves by invoking satellites, robots, and drones that chase of balaclava-clad swarthy terrorists. Link (via Danger Room)

Second Life edition of Printcrime minicomic


Michael Buckbee, proprietor of a "Fabjectory" (Bruce Sterling's neologism "fabject" + "factory" = Fabjectory) has created a Second Life version of the print-and-fold minicomic of Printcrime, created by talented comics artist Martin Cendreda (the story appears in my collection Overclocked. He sez, "We use rapid prototyping machines to create real life objects from the avatars and sculptures that people make in SecondLife and I've been vainly trying to explain to people that this isn't so much about creating expensive immobile dolls for people as it is breaking ground for a new way to interact with the world, something Print Crime does so well." Screenshot Link 1, Screenshot Link 2

DMZ Public Works: New collection of moving, thrilling graphic novel

Public Works is the third collection of DMZ comics, and it's stupendous. DMZ is Brian Wood's remarkable war comics about a civil war in America in which both sides have turned New York into a heavily shelled no-man's-land where the fighting never stops, and the story is told from the point of view of Matty Roth, an intern journalist who is stranded in Manhattan and becomes the world's most celebrated reporter of the war.

In Public Works, Matty -- fast becoming one of the best characters in comics -- goes undercover on a work-crew operated by a thinly veiled version of Halliburton, a profiteering, ruthless government contractor whose savage mercenaries fight with the UN for jurisdiction over New York.

Wood is a tremendous writer, with a great sense of plot and a soft, smart touch at portraying the two sides that are most opposed in any war: the combatants versus the noncombatants.

DMZ is unrelentingly angry and mean, smart and shocking. Riccardo Burchielli's artwork is the perfect complement, using simple layouts and a great eye for facial expressions as well as backgrounds to keep the pace up. This is one hell of a collection.

I was privileged to write the introduction for this one, and I'm still glowing at the honor. This is special stuff, like Watchmen or Transmetropolitan, comics that have changed the way I look at the genre. Here's an excerpt from the intro:

DMZ is a special kind of angry comic, the kind of angry war comic that tells the story of the other side in the war. Non-combatants aren't just cannon fodder or collateral damage. We've got every bit as much agency, as much control over our destinies, as the guys with the guns and the satellite photos. But you wouldn't know it from how we're depicted in the press -- instead, we're the bodies blown apart on street-corners, the shoeless sheep having our hemorrhoid cream confiscated at the airport.

DMZ is an inspiration to we who refuse to be dismembered and unshod. It's a wake-up call to stop letting greedy profiteers sell fresh wars to cement their authority and profitability.

If I had my way, this comic would be required reading in every civics class in America.

Link, Link to info on launch party, Sept 8, Brooklyn

See also: DMZ: graphic novel, a worthy successor to Transmetropolitan

Comics: September 2007