William Gibson answers questions
Having finished the manuscript for his next novel, Zero History, William Gibson is taking a break from fiction by answering a wide-ranging set of questions from the readers on his blog. His answers are really good and interesting. This one should be graven in marble over every beginning writer's desk.QUESTIONSA "Creator's block" sounds like something afflicting a divinity, but writer's block is my default setting. Its opposite is miraculous. The process of learning to write fiction, for me, was one of learning to almost continually be doing it *through* the block, in spite of the block, the block becoming the accustomed place from which to work. Our traditional cultural models of creativity tend to involve the wrong sort of heroism, for me. "It sprang whole and perfect from my brow" as opposed to "I saw it mispelled, in mauve Krylon, on the side of a dumpster, and it haunted me". I was much encouraged, when I began to write, by Manny Farber's idea of "termite art".
Previously:
- William Gibson bags and coats
- William Gibson's Spook Country
- William Gibson interviewed on IO9
- William Gibson WashPo interview "one of the best ever"
- Happy Birthday, William Gibson!
- William Gibson on futurism, terrorism and other isms
- William Gibson on NSA wiretapping
- William Gibson: The Rolling Stone interview
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A "Creator's block" sounds like something afflicting a divinity, but writer's block is my default setting. Its opposite is miraculous. The process of learning to write fiction, for me, was one of learning to almost continually be doing it *through* the block, in spite of the block, the block becoming the accustomed place from which to work. Our traditional cultural models of creativity tend to involve the wrong sort of heroism, for me. "It sprang whole and perfect from my brow" as opposed to "I saw it mispelled, in mauve Krylon, on the side of a dumpster, and it haunted me". I was much encouraged, when I began to write, by Manny Farber's idea of "termite art".




