Dylan Thuras is a guest blogger on Boing Boing. Dylan is a travel blogger and the co-founder of the Atlas Obscura: A Compendium of the World's Wonders, Curiosities, and Esoterica, with Joshua Foer.
Carnivorous plants have always held a special place in my heart. Watching a Venus Flytrap catch its dinner still fascinates me. Recently another type of plant that is just as strange and wonderful as the carnivores has caught my attention; Corpse Flowers.
You might imagine that smelling the world's largest flower would be a lovely experience. You would be very, very wrong.
The Rafflesia arnoldii, a rare and endangered plant known as the "giant panda of the plant world" bears the world's largest flower. A parasitic plant the Rafflesia lives most of its life within the roots of another plant. Eventually a blossom breaks through the root, grows up to three feet wide, and smells almost exactly like a dead body.
Known as a corpse flower or Carrion flower the Rafflesia releases a scent that smells like a rotting corpse, and the flowers petals bear a similar coloration to that of rotten meat. And while the flower smells terrible to humans, it smells like dinner to the carrion beetles and flesh flies which swarm all over the corpse flowers helping them to pollinate.
While the Rafflesia gets big, it has nothing on another corpse flower, the Amorphophallus titanum.
Translated from the greek Amorphophallus titanum means "giant misshapen penis," and while the Rafflesia has the world's largest flower, the titan lays claim to the largest unbranched cluster of flowers in the world. At full size the titan can reach 9 and a half feet tall and 10 feet in circumference. The titan also generates a great deal of heat, the tip reaching approximately human body temperature, which helps strengthen the illusion of rotting meat that attracts the meat eating insects. It, like the Rafflesia, smells terrible.
Link to the extraordinary flora category in the Atlas which is in desperate need of more plant wonders, a list of titans in cultivation, and to an online carnivorous plant museum. (Apparently some of my other boingboingers have a love of corpse flowers as well, previous boingboing mentions here, here, and here)





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It is time to weave wonder and leave mouths agape in the wake of impenetrable accents and extraordinary ideas! It is time for YOU to return to MELTDOWN, because the Scottish swami Grant Morrison is returning to grace us with his presence and give us mere cave dwellers our first bouts of intellectual fire!
There's your new tourism slogan: "Come to Brooksville: We've Covered Our Wounds!"





People here must think I'm a crazy man, as it's hard for me not to walk around London mumbling William Blake poetry; it just sorta burbles out of me as I walk by, for instance, the Gothic church only blocks away from where he used to live on South Molton Street. I'm actually staying across from that dingy church, at another poet's house, a B&B in what used to be the home of Edward Lear. Blake likely would have walked past this church, maybe even sketched it.
Mark Ryden's Tree Show Postcard Microportfolio is a delightful set of 15 souvenir postcards. Published by the good people at




Elric c'est moi, is the short answer. I've written about this in the introductions to the new Del Rey editions of the Elric stories. Elric was the 'me' I was as a late teenager -- like many teenagers -- angsty, self-blaming, feeling I was doing harm to others around me and so on. Unlike many of my characters (Moonglum, E's sidekick, for instance) Elric wasn't based on a real person, apart from myself, but on a sort of melange of fictitious characters. Melmoth the Wanderer, Maturin's great Gothic character, is the most obvious. I read a lot of Romantic and Gothic literature in my teens, as well as various mythologies, and the notion of the doomed character, who must find another to carry his burden, appealed to me. Bunyan's Pilgrim's Progress had a great influence on me as a lad, too! It was the first book I bought with my own money (though coming from what was essentially a secular home) and of course I was attracted to the pictures. The Doré illustrated Milton was another book I bought early. I suppose all those characters have to be aspects of myself, at different stages of my life, but weren't influenced by fiction the way parts of Elric were. His basic character and appearance were based on Zenith the Albino, a hero-villain who fought Sexton Blake, an English pulp detective whom I enjoyed (especially in his 1920s and 30s adventures) and who I came to, by strange chance, through my early enjoyment of P.G.Wodehouse! A Blake writer, Edwy Searles Brooks, tended to write in imitation of Wodehouse so when I ran out of Psmith and Jeeves I found something almost as good in Brooks (who, I discovered, was a near neighbour of mine as a boy). ERB and ESB could be called my twin literary midwives.


The initiative is being seen as an attempt by the saffron party, which popularised the 'vada pav', staple diet of many a Mumbaikar, four decades ago, to establish rapport with the 'Marathi manoos', whose tilt in favour of Sena offshoot MNS, cost the party dearly in recent Lok Sabha polls.




As soon as I had taken a shot, PC Smith (40144) came out from the train station and asked to speak with me. She asked why I'd taken a photo of her van. I told her that it was parked in a disabled bay. She told me that she'd been called because a woman was self-harming on the station and that was the only place she could park...
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