Evil Mad Scientists Lab has a new iteration of their sugar-based 3D printer, the CandyFab 6000! This is my favorite 3D printing concept, bar none. Demented and sweet!
It's a brand new CandyFab-- still in beta. A clean break, designed from the ground up with almost no parts in common with the original, the CandyFab 4000. All new mechanics. All new electronics. All new software. Smaller but still big: the build volume is more than 10 liters, but it's now small enough to fit on a desk top...
The new modular electronics control platform is called Zuccherino-- that's italian for "Sugar cube." One Arduino-compatible circuit board per axis. (Our prototype above shows X,Y,Z, Heat, and Air axes, plus a master board.)
It's an expandable system for all kinds of motion control projects, and we'll be making kit versions of all of the Zuccherino boards later this summer.
We've also got new cross platform control software -- called CandyFabulous underway, and it's looking sweet.
Matt sez, "Got any questions for Michael Moorcock? Tachyon Publications just released a career spanning collection of this living legend's very best work, and to kick things off, we thought it would be fun to offer Boing Boing's readers a chance to interview the author. If you've ever wanted to ask him anything, now is your opportunity. Just leave your questions in this post's comments. Boing Boing's editors will then select the very best of the batch and forward them on to Moorcock. Just to make things fun, we'll give three lucky Boing Boing readers free copies of The Best of Michael Moorcock. "
Dead Air sez, "At the Science Fiction Message Board we're preparing for another of our semi-regular "Group Book Reads", which is due to start in just a few days now. For a little bit of fun, we're deviating from the harder SF this time for a bit of alternate history. We've decided to choose the 2008 Hugo Award-winning author Elizabeth Bear - and the book of hers we'll be perusing together is New Amsterdam, a series of linked stories: six novelettes and novellas about Detective Crown Investigator Abigail Irene Garrett and Don Sebastien de Ulloa, who are, respectively, a forensic sorcerer and an amateur detective in a turn of the century contrafactual history set (mostly) on the East Coast of North America. But let the publisher's blurb work its magic on you:"
Abigail Irene Garrett drinks too much. She makes scandalous liaisons with inappropriate men, and if in her youth she was a famous beauty, now she is both formidable--and notorious. She is a forensic sorceress, and a dedicated officer of a Crown that does not deserve her loyalty. She has nothing, but obligations.
Sebastien de Ulloa is the oldest creature he has ever known. He was no longer young at the Christian millennium, and that was nine hundred years ago. He has forgotten his birth-name, his birth-place, and even the year in which he was born, if he ever knew it. But he still remembers the woman who made him immortal. He has everything, but a reason to live.
In a world where the sun never set on the British Empire, where Holland finally ceded New Amsterdam to the English only during the Napoleonic wars, and where the expansion of the American colonies was halted by the war magic of the Iroquois, they are exiles in the new world--and its only hope for justice.
PaulR sez, "Swedish, poet, novelist and scholar Lars Gustafsson blogged his reasons for voting for the Pirate Party in the next Swedish election to the European Parliament, to be held on 7 June 2009."
Intellectual and personal integrity for the citizens, briefly speaking an internet that has not been transformed into a government channel by lobby-marinated courts and EU politicians in leashes, is arguably more important than the needs of a primarily industrial scene of literature and music, which is rapidly crumbling away already within the lifetime of the authors. The need of being read, of influencing, to formulate one's times, may but does not need to get in conflict with the wish to sell many copies. When the both needs are getting in conflict, the industrial interest must be put aside and the great intellectual sphere of the arts must be defended against threats.
The essential interest of artists and authors, given that they are intellectually and morally serious in hat they are doing, must certainly be to get read, to let their voice become heard in their generation. How that goal is attained, that is, how to reach the readers, is in this perspective of secondary importance.
The growing defence of the internet's expanded freedom of speech, of the immaterial civil rights, that we are now witnessing in country after country, is the start of an - just as the last time in the early 18th century - liberalism that is carried by technology and therefore emancipated.
Hugh from the Electronic Frontier Foundation sez, "EFF Board Chair Brad Templeton has made a brilliant Downfall remix. The video is interesting not just for being funny, but also for the troubles Brad had creating it. In order to avoid any DMCA violations, he had to make it without circumventing encryption, which naturally led to multiple headaches. We have a short post on the EFF blog about what this says about the need for DMCA exemptions for remix artists"
Unfortunately for Brad, he found in making his parody that creating a fair use like this -- and doing so legally -- is not as easy as it ought to be. As a high profile advocate for digital rights, Brad naturally wants to avoid breaking any laws. And while fair use protects his parody from charges of copyright infringement, he wanted to ensure that he didn't accidentally violate other laws -- in particular the DMCA's prohibition on circumventing encryption.
This meant that Brad couldn't just rip a copy from the his own legally purchased DVD. Instead, just to be safe, he would have to make a copy of the film using the "analog hole," a form of copying that has been recognized by the courts as legally permissible.
Re-nonymize, or renonymize, V,. To discover, using data from an "anonymized" data set (a data set from which the explicit identifying data has been removed) which specific individuals generated the data. Usage: ". . . companies claim they're releasing an anonymous dataset, only to discover later that it's not so difficult to re-nomynize it."
Collector of anomalies, esoterica, and curiosities.
If you're in NYC next Saturday, Internet Week New York is hosting a global hackday around tangible interfaces. More info over at the Hackday site. It'll be interesting to see what comes out of this! From Hackday:
In an open hackday for coders and makers, we expand the notion of digital software interfaces into the three-dimensional physical world. Using tangible objects and webcam tracking, we’ll work with the open-source Trackmate project and LusidOSC framework developed by the Tangible Media Group at the MIT Media Lab. We’ll experiment with new interfaces for music, live and interactive visuals, and the Web, as hackers attending try their own hardware and software projects. By the end of the day, we should have a collection of tangible interface projects. Participants should have a background in Java or Processing; for the complete project, check our site for a required bill of materials.
During the day, we’ll get together and make interfaces. Then, everyone will be welcome to come check out the results and learn how to make their own projects at a party in the evening. We’ll have live music and visual play with the new interfaces, plus a bit of Guitar Hero / music games to blow off steam.
Live global hacking: 11a-7p (arrive promptly for a quick mini-workshop / demo)
Party: 7-9:30p
Collector of anomalies, esoterica, and curiosities.
These are the hands of a marmoset, genetically engineered to glow green under ultraviolet light. The transgenic marmosets aren't the first primates to glow but are apparently the first that pass the genetic modification down to their offspring. The green-glowing marmosets, and other transgenic animals that glow, are used by scientists to gain insight into genetic diseases. Of course, some people aren't too thrilled with this kind of genetic engineering. In fact, tech-artist Eduardo Kac explored some of these hot topics with Alba, his "GFP Bunny" created in 2000. From the BBC News:
Erika Sasaki of the Central Institute for Experimental Animals in Japan, and her colleagues, have introduced a gene into marmoset embryos that allows them to build green fluorescent protein (GFP) in their tissues.
The protein is so-called because it glows green in a process known as fluorescence.
GFP was originally isolated from the jellyfish Aequorea victoria, which glows green when exposed to blue light.
The protein has become a standard in biology and genetic engineering, and its discovery even warranted a Nobel prize.
From 91 embryos, a total of five GFP-enabled transgenic marmosets were born, including twins Kei and Kou ("keikou" is Japanese for "fluorescence").
Crucially, the team was able to show that their method is maintained in the family - or germline.
Collector of anomalies, esoterica, and curiosities.
BB pal and Institute for the Future colleague Jess Hemerly sends the following note about the Digital Open, an IFTF project now underway in partnership with Sun and Boing Boing! Jess writes:
Last year, Institute for the Future took an in-depth look at DIY culture with the Future of Making project, led by David Pescovitz. Working under the header "The way things are made is being re-made," we explored a dramatic shift in manufacturing and innovation, where we are moving from top-down, proprietary models to bottom-up and open ones. The maker movement grows larger every year, and with MAKE Magazine's Maker Faire in its fourth year, the momentum continues to push society to take a closer look at all things DIY. With President Obama's recent call to re-make America, more people are beginning to think about how they, too, can help to make the future.
But it's not just tech savvy adults getting into the DIY world. It's young people too, young people who want to play an active role in making their future. Working with technology in particular to create, improve, explore, or contribute to the world around us is a fantastic way to learn about how the world works--and understand how we might be able to make something work better. Young people who take an active interest in technological innovation are the makers of a foundation for a better future.
That's why The Digital Open, an Institute for the Future project in partnership with Sun Microsystems and Boing Boing, is looking to capture the spirit of the future makers. We're looking for youth ages 17 and younger who are working with technology to create, improve, explore, or contribute to their world by submitting free & open technology projects in 8 categories ranging from sustainability to gaming, from media to science and education. We want to provide a forum for these young makers to show off their innovations and to find other makers like them. The Digital Open is the maker community of the future.
If you are a young person who loves to create things with technology, whether for fun or with the hope of becoming an entrepreneur one day, maybe even tomorrow, we want you! Or if you are an adult fortunate enough to work with bright young innovators, please encourage them to join us. Sign up at digitalopen.org or email info [at] digitalopen [dot] org for more information on how you can get involved.
Collector of anomalies, esoterica, and curiosities.
The Museum of Flight has a page collecting dozens of airline logos, current and old. Fascinating diversity of designs. Above left, Executive Jet Aviation ; above right, Compagnie Corse Mediterianne.
(via Colour Lovers, thanks Tara McGinley!)
Rudy Rucker is a writer, a mathematician, and a computer scientist--with thirty-two published books. In the 1980s he received two Philip K. Dick awards, for his cyberpunk novels Software and Wetware, which are available as part of the Wares tetralogy.
Rucker has a Ph.D. in mathematics, and he worked as a computer science professor at San Jose State in Silicon Valley for twenty years. He took up painting in 1999, and he's had three shows of his pop-surreal works in San Francisco.
Rucker's latest publication is his autobiography, Nested Scrolls. Nested Scrolls received the Emperor Norton Award for "extraordinary invention and creativity unhindered by the constraints of paltry reason."
(Rudy Rucker is a guestblogger. His latest novel, Hylozoic, describes a postsingular world in which everything is alive.)
I've been fascinated by cars with flames ever since I was a kid poring over my big brother's hot rod magazines.
[Photo by Don Marritz]
In 1973 I had a fairly generic white Ford that I painted flames on my myself. Here's a picture of me with the car and my daughter, Georgia, who's now a graphic designer of such books as the best-selling Twilight Movie Companion.
I did a hand-painted, amateur job on my flames--- not at all the way the pros do it---but it was fun. And, despite the dire warnings of my friends, I was still able to sell the car when I moved.
A couple of weeks ago I went to the Show and Go car show in Riverside, California, which got me excited about flames all over again.
I found a quintessential flame-car photo on the web today, it's this Merc Lead Sled shot, and it appears on John Filiss's "Serious Wheels" site, among other gems in the "Mercury Custom" section...just look under "M".
Today I finished a painting on this theme, "Man in Flame Car." It's hard to pin down the guy's mood. (More info on my paintings page.)
Anybody who's been a captive audience of mine for more than a few minutes recently probably knows that I'm writing a novel. I've also mentioned it here on Boing Boing and elsewhere. It explores occult themes and has a main character who's obsessed with the idea of using modern multimedia technologies and ancient ritual techniques to create a theater experience that seriously alters the consciousness of her audience members. She was inspired by Aleister Crowley's attempt at doing ceremonial magick in a theatrical context in his 1910 Rites of Eleusis performances. As part of my research, I've looked at what other people have done in this area of mixing music, theater, ritual and magick. Sadly, most of it is horrible. Cringeworthy. Over time, certain people have captured and sustained my interest, people who seem to be exploring these ideas with a certain degree of rigor, and ya know, talent. And to my surprise and delight, it looks like they've all been rounded up and invited to The Equinox Festival in London the second weekend in June.
One of the multimedia artists working in this realm of ritual performance art and film is Raymond Salvatore Harmon. He can soon add festival organizing to his resume, as he's the man behind the Festival (along with Simon Kane, co-curator of The Salon performance events (with Jack Sargeant), and Andrew Hartwell, proprietor of Aurora Borealis records). Although it's a full-featured occult conference/festival, with an impressive roster of speakers, because it's organized by a multimedia artist, it's the music, film and performances that are unique and most interesting. Any of these program tracks would be worth the price of admission as far as I'm concerned. And as you'd expect, all of the performers concern themselves with occult/spiritual themes in their work. Some of the music includes: John Zorn, Z'ev, Burial Hex, TAGC (with Clock DVA's Adi Newton) and Æthenor. The festival will also see the return of the highly influential British prog folk group Comus, regrouping after a 37 year absence. They'll be performing their album "First Utterance" in its entirety. Closing the festival with be Peter Christopherson, of Throbbing Gristle and Coil, performing under his new moniker, Threshold House Boys Choir. The film track of the festival includes showings of Craig Baldwin's Mock Up On Mu, Paola Igliori's American Magus and The Seed of Joy, Harry Smith's Heaven and Earth Magic, Alejandro Jodorowsky's The Holy Mountain, Maya Deren's Divine Horsemen: The Living Gods of Haiti, The Mindscape of Alan Moore, Ira Cohen's Kings with Straw Mats and Raymond's film YHVH.Speakers at the event include Boing Boing pal Erik Davis, psychedelics pioneer Ralph Metzner, chaos magician Philip Farber, Voudon Gnosis author David Beth, and Aaron Gach who readers of Arthur magazine will recognize as one of the lovable weirdos behind the Center for Tactical Magic.
One of the other things that first caught my eye about this festival was the name Equinox, the subtitle, "A Festival of Scientific Illuminism," and its motto: "The Method of Science, The Aim of Religion." These are all Crowley references. The name of his magazine was The Equinox and it was subtitled "The Review of Scientific Illuminism" and that was its motto. It was this attempt at bringing even a moderate veneer of scientific rigor to spiritual investigation that first attracted me to Crowley (and to subsequent "followers" of his work, such as Robert Anton Wilson). I'm very anxious to see how much of that is in evidence here. It's certainly refreshing and different to at least see a summer music and arts festival that's not just about getting fucked up and flopping around in the mud (not that there's anything wrong with that, mind you).
The Equinox Festival runs from June 12, 13, 14 and will be held at Conway Hall, 25 Red Lion Square, London. The Friday night opening event will be at Camden Centre, Bidborough Street. I'll be doing several dispatches for Boing Boing from the Festival, and look forward to talking to Raymond and some of the other artists, speakers and attendees. So, stay tuned...
I'm also going to London to see a once-in-a-lifetime William Blake exhibit. The Tate is recreating his 1809 one-man show, mounted exactly 200 years ago. They've reunited all of the paintings that Blake had in the show. The show was a disaster and got savaged in the only review he received; the show was basically ignored by the public. The whole experience embittered Blake even more and made him withdraw further from public life. In my piece about Blake in MAKE, Volume 17, I talked about his invention of "illuminated printing," a then-radical technique for freeform relief-etching. This show features work done using another technique he invented which was far less successful, called "fresco painting," created with a mixture of tempera paint and carpenter's glue. Tragically, the materials used did not age well and those paintings that have survived are cracked and darkened. It'll be interesting to see the paintings done in this method up close and personal.
The shot that changed German politics in 1967 was fired by an East German Stasi spy:
The killing in 1967 of an unarmed demonstrator by a police officer in West Berlin set off a left-wing protest movement and put conservative West Germany on course to evolve into the progressive country it has become today...
It is as if the shooting deaths of four students at Kent State University by the Ohio National Guard had been committed by an undercover K.G.B. officer, though the reverberations in Germany seemed to have run deeper.
On Boing Boing Gadgets, this wrenching video in which Eve Ensler explains that Congolese militias use rape to enforce discipline among a slave workforce that mines columbite-tantalite ore, a common raw material for many devices.
"We create those atrocities through our consumption," says Ensler.
She is proposing that electronics manufacturers and their customers--us--began to concern themselves with the notion of "Rape-Free" products in which the raw, mineral components of consumer electronics are traced back to sources that can be verified to have procured them ethically. (She allows that "Rape-Free" is probably not a moniker that would be comfortable plastered on boxes and signs.)
It's without a doubt one of the most horrible but compelling things I've heard in a while. I've been considering a parallel notion lately about the shocking rate we're using a limited mineral supply to make what are essentially disposable bits of gadgetry. While I don't doubt that every effort will be made by profit-driven corporations to develop ways to produce goods even if rare minerals are fully depleted, the gulf between now and a future where minerals can be safely reclaimed and reused is fretfully wide.
Rudy Rucker is a writer, a mathematician, and a computer scientist--with thirty-two published books. In the 1980s he received two Philip K. Dick awards, for his cyberpunk novels Software and Wetware, which are available as part of the Wares tetralogy.
Rucker has a Ph.D. in mathematics, and he worked as a computer science professor at San Jose State in Silicon Valley for twenty years. He took up painting in 1999, and he's had three shows of his pop-surreal works in San Francisco.
Rucker's latest publication is his autobiography, Nested Scrolls. Nested Scrolls received the Emperor Norton Award for "extraordinary invention and creativity unhindered by the constraints of paltry reason."
(Rudy Rucker is a guestblogger. His latest novel, Hylozoic, describes a postsingular world in which everything is alive.)
My son, Rudy Rucker, Jr., and his business partner Alex Menendez run Monkeybrains, an independent ISP (Internet Service Provider) in San Francisco. As well as more conventional clients, they use their two gigabytes-per-seconds to host such off-beat sites as Rotorbrain's hardware hacking blog, and the site for the Cyclecide Heavy Pedal Bike Rodeo.
Here's a video interview of Rudy and Alex on the tenth anniversary of Monkeybrains..discussing how an indie internet biz can stay afloat.
Rudy's latest project involves building his own wireless can antennas, as described on Dorkbot.
The Conference Board of Canada, a Canadian think-tank that was caught regurgitating a US lobby-group's press materials in a tax-funded report on the Digital Economy, has withdrawn its copyright-related reports, stating "these reports did not follow the high quality research standards of The Conference Board of Canada."
This is a major climb-down for the Conference Board, who refused to admit any wrongdoing after being caught plagiarizing materials from US copyright lobbyists, the International Intellectual Property Alliance, and even stood pat after it was revealed that they'd discarded and suppressed contradictory reports written by their own experts.
Statement from The Conference Board of Canada
The Conference Board of Canada has recalled three reports: Intellectual Property Rights in the Digital Economy; National Innovation Performance and Intellectual Property Rights: A Comparative Analysis; and Intellectual Property Rights--Creating Value and Stimulating Investment. An internal review has determined that these reports did not follow the high quality research standards of The Conference Board of Canada.
Today's episode of Boing Boing Video is a vintage 1970s television ad for a brand of jeans called "Big Yank." When I first watched it, I was immediately convinced that this ad was all about the giving of wedgies -- to one's self, to others, no matter! Wedgies, wedgies, wedgies. Or maybe the ad was about something even more inappropriate. At any rate, I thought it was funny.
The video comes to us as a special courtesy of Oddball Film and Video, a San Francisco-based firm that maintains a truly amazing and extensive archive of weird old moving images. They do regular screenings, too. BB Video will be bringing you more from their superbly surreal collections in the weeks to come.
Boody Rogers, a contemporary of Tex Avery, Harold "Little Orphan Annie" Gray and Chester "Dick Tracy" Gould out-weirded any cartoonist, living or dead, for the bizarre design of his characters and the out-of-control situations he plonks them in. In reading this book, I kept seeing visual echoes of the many who clearly cribbed from Boody, from the characters in Monsters, Inc. to Tex Avery at his oddest. But this tasted like the original brew, first brewed from fresh leaves.
Babe is an immensely strong hillbilly lass who is destined to be a pro ball-player, provided her Mammy can keep her in lightning juice. Sparky Watts is a strongman who needs to be refreshed with cosmic rays or he shrinks to bug-size (his pals include a talking hat with feet and a pinhead whose feet have been swollen to immense size by cosmic rays, and naturally they loathe each other), Dudley is a be-bopper whose kid brother wants to use his records for target practice (and whose dialog runs to "Jumpin' Jack from Skaggerac!" and "'Lo from Buffalo! Crowd in, gang -- mom an' dad have gone to a movie -- let's start SLICING CARPETS!"). They all climb new pinnacles of lovable absurdity, as the words and pictures vie to see who can be more madcap.
This kind of comic makes me wish I was a time-traveller and could visit the era of its birth and read it every week.
The New York Times Magazine ran an excerpt from Matthew B. Crawford's new book, Shop Class as Soul Craft. Crawford has a Ph.D. in political philosophy. He owns and operates a motorcycle repair shop.
His book is about the the importance of using your hands to make and repair things. He compares the kind of life many people in developed countries lead -- inside cubicles, working on things that are several levels removed from the physical world -- to a life of skilled labor that requires ingenuity and experience, and provides the kinds of challenges that human beings were made to relish.
I'm writing a book about the rewards of DIY, and Crawford's book really resonated with me.
A gifted young person who chooses to become a mechanic rather than to accumulate academic credentials is viewed as eccentric, if not self-destructive. There is a pervasive anxiety among parents that there is only one track to success for their children. It runs through a series of gates controlled by prestigious institutions. Further, there is wide use of drugs to medicate boys, especially, against their natural tendency toward action, the better to "keep things on track." I taught briefly in a public high school and would have loved to have set up a Ritalin fogger in my classroom. It is a rare person, male or female, who is naturally inclined to sit still for 17 years in school, and then indefinitely at work.
It's an expandable system for all kinds of motion control projects, and we'll be making kit versions of all of the Zuccherino boards later this summer.
Matt sez, "Got any questions for Michael Moorcock? Tachyon Publications just released a career spanning collection of this living legend's very best work, and to kick things off, we thought it would be fun to offer Boing Boing's readers a chance to interview the author. If you've ever wanted to ask him anything, now is your opportunity. Just leave your questions in this post's comments. Boing Boing's editors will then select the very best of the batch and forward them on to Moorcock. Just to make things fun, we'll give three lucky Boing Boing readers free copies of 
Abigail Irene Garrett drinks too much. She makes scandalous liaisons with inappropriate men, and if in her youth she was a famous beauty, now she is both formidable--and notorious. She is a forensic sorceress, and a dedicated officer of a Crown that does not deserve her loyalty. She has nothing, but obligations.
In an open hackday for coders and makers, we expand the notion of digital software interfaces into the three-dimensional physical world. Using tangible objects and webcam tracking, we’ll work with the open-source Trackmate project and LusidOSC framework developed by the Tangible Media Group at the MIT Media Lab. We’ll experiment with new interfaces for music, live and interactive visuals, and the Web, as hackers attending try their own hardware and software projects. By the end of the day, we should have a collection of tangible interface projects. Participants should have a background in Java or Processing; for the complete project, check our site for a required bill of materials.
Erika Sasaki of the Central Institute for Experimental Animals in Japan, and her colleagues, have introduced a gene into marmoset embryos that allows them to build green fluorescent protein (GFP) in their tissues.
One of the other things that first caught my eye about this festival was the name Equinox, the subtitle, "A Festival of Scientific Illuminism," and its motto: "The Method of Science, The Aim of Religion." These are all Crowley references. The name of his magazine was 
