Cute snout robot on roof of the Pittsburgh Center for the Arts

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Here's a neat video of a funny robot on the roof of the Pittsburgh Center for the Arts. The robot was made by Golan Levin with Lawrence Hayhurst, Steven Benders and Fannie White.

"Double-Taker (Snout)" (interactive installation, 2008) deals in a whimsical manner with the themes of trans-species eye contact, gestural choreography, subjecthood, and autonomous surveillance. The project consists of an eight-foot (2.5m) long industrial robot arm, costumed to resemble an enormous inchworm or elephant's trunk, which responds in unexpected ways to the presence and movements of people in its vicinity. Sited on a low roof above a museum entrance, and governed by a real-time machine vision algorithm, Double-Taker (Snout) orients itself towards passers-by, tracking their bodies and suggesting an intelligent awareness of their activities. The goal of this kinetic system is to perform convincing "double-takes" at its visitors, in which the sculpture appears to be continually surprised by the presence of its own viewers — communicating, without words, that there is something uniquely surprising about each of us.
Double-Taker (Snout)

Discussion

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Big Brother is cute! Such a cool idea and even better in action.

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That is really, really cute. I imagine surprised "Scooby noises" for each double take.

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Huh. That's right down the street from me. I still haven't gotten over to the Center of the Arts despite having lived in walking distance for a year.

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Hey. I got married there!

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In other words, people will tolerate surveillance as long as it's presented in a form of a funny cartoonish character? :)

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Why does the building look like it is made out of legos?

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Still waiting for the Spit-Take Snout.

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golan has a suprisingly long history of extremely interesting projects, including the Pittsburgh chapter of dorkbot - http://dorkbot.org/dorkbotpgh

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Oh, how cute! I think I'd laugh every time I went past.

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#5: Yes.

Oh GOD, YES.

Actually, that would be a pretty good sci-fi premise.

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