Automatic Mahjong table adopts the working principle of electricity, light and magnetism, and it is controlled by microcomputer programs. It can effectively achieve the automatic shuffling and dealing of Poker tiles, and automatic dice tossing in a quick and fair way, with stable performance, long period of non-malfunction, and adding entertainment interests. It used two diffentely colors Mahjong Tiles with magnetic.

I am trying to draw every person in New York. I will be drawing people everyday and posting as frequently as I can. It is possible that I will draw you without you knowing it. I draw in Subway stations and museums and restaurants and on street corners. I try not to be in the way when I am drawing or be too noticeable. Whenever I have a new batch of drawings I will post them on this blog. If you would like to increase the chances of a portrait of YOU appearing on this blog please email me (art@jasonpolan.com) a street corner or other public place that you will be standing at for a duration of two minutes (I will be on the corner of 14th street and 8th avenue on the North-east corner of the street from 2:42-2:44pm this Thursday wearing a bright yellow jacket and navy rubber boots, for example).

The NSL included a gag order, prohibiting Kahle from discussing the letter and the legal issues it presented with the rest of the Archive's Board of Directors or anyone else except his attorneys, who were also gagged. The gag also prevented the ACLU and EFF from discussing the NSL with members of Congress, even though an ACLU lawyer who represents the Archive recently testified at a congressional hearing about the FBI's misuse of NSLs.

"This is a great victory for the Archive and also the Constitution," said Melissa Goodman, staff attorney with the ACLU. "It appears that every time a national security letter recipient has challenged an NSL in court and forced the government to justify it, the government has ultimately withdrawn its demand for records. In the absence of much needed judicial oversight – and with recipients silenced and the public in the dark – there is nothing to stop the FBI from abusing its NSL power."

"A miscarriage of justice was prevented here because the Archive decided to fight the unlawful demand for information and unconstitutional gag," said EFF Staff Attorney Marcia Hofmann. "The big question is, how many other improper NSLs have been issued by the FBI and never challenged?"

The faculty of Harvard Law School has unanimously approved a motion for open access: articles will be made freely available in an online repository. With the success of this motion, Harvard Law becomes the first law school to make an institutional commitment to open access to its faculty's scholarly publications. [full text of the motion]

The Berkman community is tremendously excited by the news, which resonates deeply with the Center's mission and helps set the stage for other academic institutions to establish open access policies. In February, Harvard University's Faculty of Arts and Sciences did just that, unanimously passing an open access motion spearheaded by computer science professor and Berkman faculty co-director Stuart Shieber. (In addition, Harvard College Free Culture has launched a free Thesis Repository!) Professor Shieber's work and leadership, along with that of Harvard library director Robert Darnton, paved the way for Berkman's own Terry Fisher and John Palfrey to bring this open access proposal to the Law School.

At first glance, this 1927 map watch is pretty nifty: an antediluvian GPS, don't you know. It was called the Plus Four Wristlet Route Indicator, a name so clunky, unmemorable and artless that it even sounds like the name of a modern GPS device. The idea was simple: the Wooster-esque motorist would putter around England, scrolling a tiny paper map loaded in his wrist as he went with two black knobs. If you took a turn, you simple slid out one map and inserted another one and continued on your way.

What ho! Ingenious! Except a complete road map only cost a few pence back in 1927, where as this device would have set you back around 5 quid. And just like modern GPS map providers, the real business model was in selling you additional maps.

Which leaves the design. I quite like it: it's cheap, but whimsical and adventurous, like something you might strap on your wrist to traverse Oz.

It is easiest to start with a large cardboard box such as a refrigerator or other large appliance. I called my local appliance store and had them save me a box. I told them I was making a cardboard playhouse and they were more than happy to set one aside. If you can't find one large enough you can certainly construct one out of smaller boxes, it will just take more time to piece it together.

Susannah Breslin interviews the 57-year-old scat video producer who is at the center of what may be the "most extreme obscenity trial in U.S. history." Of note: he compares himself to Picasso, Mozart, and Kafka, and does not consider his work to be pornography.

Snip from her intro:

A few weeks ago, I wrote a post entitled "The 2 Girls 1 Cup Defense," focusing on the case of Ira Isaacs, a Los Angeles based director of coprophagy and distributor of bestiality films who was indicted last summer by the Department of Justice's Obscenity Prosecution Task Force for various obscenity-related offenses. Not long after that post went up, I got an email from Mr. Isaacs himself. He said if I wanted to interview him, I could. So I did. That interview is now online at Radar Online: "But Is It Obscene?"

RADAR: How did you get started making these movies?
IRA ISAACS: When the Internet was happening, I wanted to enter it in some way, and I wanted to do something different. In the past, you needed a lot of money and people to make a movie. Until video cameras were invented. Then the Internet was a big breakthrough for distribution. So, I started making a lot of money with these fetish shock videos. I was distributing shock art films from Europe.

What do you mean by "shock art films"?
You talk about art? What is art? Art is what artists do. If it shocks you, it's art. One of the things art should do is make you think and question things. Shock art has always been something that has been a very popular thing through the 20th century and the 21st century. People used feces as shock art. There was a guy who shit in a can and sold it for the price of gold. [In 1961, Italian conceptual artist Piero Manzoni canned his feces in 90 tins and sold them for the price of their weight in gold.] So, the Internet allowed me to be an artist, to reach a lot of people. It allowed me to be on the edge, to do what I would never do as a fine artist. If you're going to paint, you've got to compete with Picasso. If you want to write a great classical music piece, you're competing with Mozart. I would never write anything like Kafka's The Trial. If I was going to make a mark, I was going to do it in some extreme shock way.

Previously on Boing Boing:

Liu Keli couldn't tell you much about South Carolina, not even where it is in the United States. It's as obscure to him as his home region, Shanxi province, is to most Americans.

But Liu is investing $10 million in the Palmetto State, building a printing-plate factory that will open this fall and hire 120 workers. His main aim is to tap the large American market, but when his finance staff penciled out the costs, he was stunned to learn how they compared with those in China.

Liu spent about $500,000 for seven acres in Spartanburg -- less than one-fourth what it would cost to buy the same amount of land in Dongguan, a city in southeast China where he runs three plants. U.S. electricity rates are about 75% lower, and in South Carolina, Liu doesn't have to put up with frequent blackouts.

Boing Boing Gadgets editor Joel Johnson recently spent a week in the woods with a backpack full of electronics, to see if he could work on the internet in the wild using only solar power and his bare hands. This video reveals to the world, for the very first time, what happened to all those bears.

Link to Boing Boing tv post with discussion and downloadable video.