
Miro is the new name for the awesome Internet TV player previously known as "Democracy Player." Now that Democracy has gone 1.0 (almost, see below), it's got a new name, new features, and an incredible future ahead of it. Miro is easy: just pick some channels -- video podcast feeds -- and Miro will download all the video from your channels. Miro downloads with Bittorrent, meaning that there's never a problem with popular sites going down because they're clobbered by too many requests. Miro can play any video, because it incorporates the free/open video player called VLC, which plays practically every video format under the sun.
Miro also grabs YouTube videos, and has access to more HD content than any other source online or off.
The future of Internet TV is too important to belong to one company. Internet TV needs to live atop something open and free, the way that the Web lives on top of the open and free Firefox browser. That's why Miro is licensed under the GPL, the gold standard in open/free licensing, meaning that anyone can take Miro and run with it, improve it, sell it, or give it away.
Miro is created by a charitable foundation called the Participatory Culture Foundation, an organization that also makes complimentary, free packages like Broadcast Machine (for publishing your own video channels) and VideoBomb (like Digg, but for video). The foundation pays programmers to improve the technology, and it's entirely free to use and improve.
Miro is available for Linux, Mac OS X and Windows. Link
(Disclosure: I am honored to serve on the Participatory Culture Foundation's Board of Directors)
Update: Nicholas Reville of PCF sez, "We're not quite at 1.0, this is called Public Preview 1 (0.9.8). We wanted to give ourselves a little room for refinement before we slap on the 1.0 label."


I tell him it is a battery charger for my iPod. He asks if I made it myself, to which I reply that I purchased a kit over the internet. He says that he can't let me on the plane with it. I explain to him that I have flown with it 4-6 times a month for a year now and nobody has questioned it. He says, "Not on my watch and not with my people."
Here are nine YouTube videos arranged to re-create the famous intro to the Brady Bunch.
Someone created the obligatory animated GIF based on the 
ENGADGET: So that's the company, let's talk a little bit more about the technology that you guys have supposedly developed here. Laws of thermodynamics basically state that you can't achieve 100% efficiency in any apparatus and that there are always transfers of heat and energy in any system. But obviously you guys are claiming 100%+ efficiency. Do you have a statistic or number of what you estimate the energy efficiency level of your machine is? Is it 110% or 150%?

Art’s Tribal activities as an agent-provocateur are obviously Doctorow’s
satirical critique of a wired marketplace that regularly has the end-user tied to the whims of a hostile corporate culture. Admittedly, Art is initially part of the end-user problem because his loyalty to the ESTribe requires his work at V/DT to be founded on maximizing end-user hostility. It is not until he is in the sanatorium that he has an epiphany that his life has been wasted. After roof-Art has been hurt while trying to escape off the roof, he is introduced to Dr. Szandor, a medical doctor who stands diametrically opposed to the sanatorium’s psychiatrists. Unlike the mental-health practitioners who have repeatedly ignored Art’s claims of wrongful incarceration and have opted to put him on medications that leave him in a drugged stupor, Dr. Szandor actually talks to Art and learns a great deal about the man. A key topic of discussion is the problems with mental-health facilities. During those discussions Art begins to sketch out potential alternatives to the sanatorium system that has him caged, a theoretical facility he dubs HumanCare. Dr. Szandor is noticeably impressed with Art’s acute vision of HumanCare while Art feels “a familiar swelling of pride. I like it when people understand how good I am at my job. Working at V/DT was hard on my ego: after all, my job there was to do a perfectly rotten job, to design the worst user experiences that plausibility would allow. God, did I really do that for two whole goddamned years?” (179). Art comes to recognize that the last two years of his life at V/DT have been a waste because his agent-provocateur mission, founded on end-user hostility and corporate stagnation, has stifled what amounts to his innate skills as a molecular hacker.
John K produced a very funny new
I opened my eyes to see the rat taking a piss in my
coffee mug. It was a huge brown bastard; had a body like a
turd with legs and beady black eyes full of secret rat
knowledge. Making a smug huffing sound, it threw itself
from the table to the floor, and scuttled back into the
hole in the wall where it had spent the last three months
planning new ways to screw me around. I’d tried nailing
wood over the gap in the wainscot, but it gnawed through it
and spat the wet pieces into my shoes. After that, I spiked
bait with warfarin, but the poison seemed to somehow cause
it to evolve and become a super-rat. I nailed it across the
eyes once with a lucky shot with the butt of my gun, but it
got up again and shat in my telephone.
Welcome Back, Potter, is a 6-minute, spot-on youtube parody of Harry Potter and the hoary old sitcom, "Welcome Back, Kotter," the show that gave us John Travolta. I loved this show growing up -- for reasons I don't entirely understand today -- and this is just awesome. Harry is a failed, thick-waisted, middle-aged remedial magic teacher at an inner-city classroom -- hilarity ensues.

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