(Photos, top image and first two in post, by eecue of blogging.la, cc-licensed).
I'm at the Coachella Valley Music and Arts festival in Indio, California this weekend.
More around the web: Flickr "coachella" tagged photos, technorati, LA Times coverage, band lineup, Wikipedia entry.
I haven't been out here in a couple years. The event seems much larger now. The desert town where this takes place only has a population of about 70,000, but they're expecting another 60 - 70,000 200,000 to show up for the event this weekend. Profit estimates I'm hearing for the event's organizers are around $50 million.
I'm crashing on an airconditioned couch in my friend Wayne Correia's world-famous, geek-pimped, beWiFi'd bus on the event grounds. He has a better satellite 'net connection on this thing than my broadband in urban LA.
I'm listening to a low-power FM pirate radio station here at the event site: "Renegade Radio," at 103.3 FM if you're nearby. Paynie put the tracks together.
It's 108° F. outside, according to the gauge on Wayne's bus. When I drove in yesterday afternoon, there were mobile sprinklers all over the place to keep dust down. RVs, tour buses, and tent encampments stretch out as far as I can see in either direction right now.
More than 120 bands are on the lineup this year, and lots of robots, flamey stuff, and software-driven art installations, some of which might look familiar from Burning Man.
Coolest thing that isn't a band so far is the fully functional, but stationary, steam engine. Coal and everything. I'll try to upload video later (or post links to someone else's), but here's a still photo from eecue below.
(At left, Coachella Tesla Coil photo from Flickr user omarr, cc-licensed).
We wandered around from stage to stage Friday night. Interpol, Peaches, Charles Feelgood, Marques Wyatt, Jarvis Cocker, Amy Winehouse, and Sonic Youth all played, among others.
The biggest draw last night seemed to be Björk, performing material from her new album, Volta. The set was great, but what made really my jaw drop (and those of the two nerd pals I was with) was the Mac-based hardware and software system used in her set for live sound manipulation.
Flat video displays flanked the stage, and the camera lingered on closeups of that equipment inbetween shots of Björk, her horn and chorus ensemble, and the live drummer. My friends and I squinted when close-up shots of the gear came up, then googled the brand names we saw on our phones, to figure out what the components were. Here's what we found.
First: JazzMutant's multitouch control surface for live performance called Lemur, built in Bordeaux, France. Snip from manufacturer's description:
At first glance, the Lemur looks like a high-fashion etch-a-sketch. As a performance interface, the Lemur is immediately appealing. You touch colorful rounded interface objects on the 12" LCD display to control your computer in any way you can imagine. The Lemur's elegant simplicity is made possible by its sophisticated graphics processor and proprietary touchscreen interface that tracks multiple fingers simultaneously.The other electronic music instrument that made us drool in in Björk's show was the reactable (think: react + table), which boasts a "tangible user interface." Image below.Using the JazzEditor application running on your choice of Mac or Windows, you drag and drop switches, faders, and other objects into an exact simulation of the Lemur's screen. Make any number of interfaces, store them in an XML-based project file, then upload them to the Lemur and it's ready to go. You can reuse them with the Import/Export feature.
I'm seeing reports online that she/they used it for the first time in their show earlier this week, during the SNL performance (Video Link).
The reactable was developed over the last few years by a team led by Sergi Jordà, Martin Kaltenbrunner, Günter Geiger, and Marcos Alonso in Pompeu Fabra University's Music Technology Group, in Barcelona, Spain. Snip from description:
(Photo of baby on reactable: diemo schwarz).reactable is a multi-user electronic music instrument with a tabletop tangible user interface. Several simultaneous performers share complete control over the instrument by moving physical objects on a luminous table surface. By moving and relating these objects, representing components of a classic modular synthesizer, users can create complex and dynamic sonic topologies, with generators, filters and modulators, in a kind of tangible modular synthesizer or graspable flow-controlled programming language.
Videos of the reactable in action: 1, 2, 3 (or on google video: 1, 2, 3, 4, 5)
Electronic music godfather Robert Moog playing an early prototype of the reactable at the NIME conference 2004 in Hamamatsu, Japan. Here's a Video Link.
More about the Björk show from bandmate Jónas Sen's Volta tour blog: Link. Excerpt:
I must confess I felt I was about to faint when we walked on stage. Such an enormous audience! Almost the entire population of Reykjavik.(...) We have “ear monitors” with a metronomic click sounding in our ears to keep the band’s playing together, plus everything else we need to hear. In some songs I want to hear as little from the drums as possible (even though Chris’ playing is damn good!). In other songs I want to hear the drums clearly but less of the brass. This is so unreal… yet amazing that it is possible.
(Björk photo from Friday night's Coachella set by Flickr user mediaeater, cc-licensed, more here.)
Big ups to all the BoingBoing readers out here! It's been great meeting so many fellow happy mutants here at Coachella. Thanks for saying hello. <throws internet freak sign>.
(Thanks, Wayne Correia!)
Saw that you have a photo of the coils that Syd Klinge built and took out to Coachella. It'd be awesome if you could throw his name in there. I don't have more details on the coils, but I believe they're the largest dueling coils ever run. Here's his site: Link.Update: Here's more video of the Reactable device used in the Bjork show: Link (thanks, Nicholas Mir Chaikin!)







Daniel Gilbert's Stumbling on Happiness is one of those pop-science books that delivers a serious a-ha punch at least once a chapter, a little insight into the way that the world works that stops you right where you are and makes you go back and reevaluate how you got there.



ACCRC in Berkeley, CA and Make have been collecting household electronics--including old projects, failed inventions, half finished prototypes. All of these items will be diverted to ReMake, a 24-hour event beginning at noon on Saturday, April 28.
I apologize in advance if this somehow exemplifies my ignorance: Is there a name for the people who sit on the floor of the graphic novels aisle in bookstores (who invariably read manga)? I tried "manga hobos" but it doesn't sit right. I don't mean to criticize: those books can be pricey. But they're always in the way!




Len is one of the artists who participated in the 
Nothing feels better than a good shocking shower before going for a swim. A showerhead placed directly over an electrical junction box does the trick.
Attaboy, who co-produces the terrific art magazine, Hi-Fructose, has directed his first animated cartoon. It's a delightful five-minute pilot for the Disney Channel called "Too Many Robots!"

What's not to love about a Russian car decorated to pay homage to one of history's bloodiest dictators? 
UPDATE: Vann points out the striking surreal similarities between the Hawking photo and "Dali Atomicus" (1949).




Here's a 1977 video of a teenage Jodie Foster singing Je T'Attends Depuis La Nuit Des Temps. She recorded the song and several others for the film 
I know, I know -- to each, his own eats. But this video of freshly-offed octopus on a restaurant table in Korea made me squirm more than the tentacles therein.
When Palm Beach County Sheriff's deputies raided Bean's garage, they recovered various power tools, false teeth, putty, dentures, and moldings. Bean, pictured in the mug shot at right, described himself as a "denturist" and told cops that this was not the first time he had been nabbed for operating an unregistered lab. He was charged with practicing dentistry without a license, a felony. While first visiting Bean's garage (after receiving an anonymous tip), detectives watched as a 67-year-old woman arrived to pick up dentures Bean had repaired for the bargain basement price of $40.
The story is a CIA rescue mission during the Iran
Hostage Crisis, when six American embassy staff escaped the compound and
were on the lam in Tehran for months -- until the CIA rescued them by
creating a fake Hollywood production company and pretended to be in Iran
location scouting for a big-budget sci-fi epic. I swear, it's all true. The
CIA even got an office for their fake production company at Sunset/Gower
studios, had a script and concept art, and took out ads in Variety. There
are many more strange digressions in detail, but I'll let you find out about
them in the story.
Soon, blogs picked up the story, and mainstream US media followed. Around the same time,
Recently, our badges have doubled in number (new ones include various levels of the "I build robots" badge; the "I've named a child or pet for science" badge" and the "I AM actually a freakin' rocket scientist" badge).


Attua Aparicio Torinos designed a line of funny white coffee mugs with cartoon animal parts on the bottom. Also available in pig and rabbit for £10.00 from Thorsten Van Elten.
TopPop, a Dutch hit music show from the seventies and eighties, has opened its archives last month. They were big on the eve of the video clip, when artists who wanted to market their face and not just their music had to make live appearances on local TV shows throughout the world. TopPop was special because of their funky backgrounds (think: Blondie standing on a tin foil mountain); the fact that if an artist was unable to appear, the show would replace them by a ballet (think: dancing to the theme of Star Wars); and because of its slightly goofy looking presenter 
the latest
latest episodes