Browsing Entertainment

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We used to call our original video episodes "BBTV," and we don't anymore. We call it Boing Boing Video now.

Well, ladies and germs, allow me to present to you the inheritor of that acronym: BBTV is now the name used by Bedbug TV, a guy who makes episodic web video content about how to deal with bedbugs. I think he runs a pest control company. His videos crack me up, particularly the first 15 seconds or so. The one above deals with how to cope with bedbug infestations in your home electronics products, like if your "electronics, books, paintings, pictures, dvd players, radios, alarm clocks, boxes and just clutter in general" is crawling with bedbugs.

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Epic, genius, perfect. Video in glorious 1080p (select HD button on embed above for full glory).

Music: the original's here. Video: the original's here. (via Tim Shey, and Happy Birthday Tim!).

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Makers audiobook - DRM free download


The audiobook of my latest novel, Makers has been published by Random House Audio, strictly in DRM-free formats over the net (this means that Apple won't carry it in the iTunes store, even though Audible was willing to carry it without DRM).

The reading is by Bernadette Dunne, a very talented actor. I just listened to this for the first time yesterday and I was blown away by Dunne's reading. I'm a huge audiobook nut, and I'm incredibly glad to have professional audiobook adaptations of my books from Random House -- and doubly grateful to them for supporting my commitment to DRM-free distribution. When you buy this book, you own it. The "terms of service" are "Don't violate copyright law," not "By buying this audiobook, you agree that we get to come over and kick you in the ass."

Makers, read by Bernadette Dunne

MP3 Sample

Buy Makers Audiobook on Borders

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Sarah Palin Parking Lot

Video: Chase Whitestead and Erick Stroll of New Left Media speak to Sarah Palin fans at her book signing in Columbus, Ohio. More at Dangerous Minds.

Related: Over at The Awl this past weekend, Rudy live-blogged his reading of Sarah Palin's memoirs (so you don't have to). This follows a month-long build-up where he reviewed the entire canon of vice presidential memoirs. You're welcome. (via Jason Wishnow)

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A double shot of timewastey STAR WARS funs: Band Names (hashtag's here, @johnmoe started it), and Facebook Updates (via @bonniegrrl )

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In 1954, LIFE magazine sent their movies editor Mary Leatherbee and photographer Peter Stackpole to the Bahamas where Disney was filming 20,000 Leagues Under The Sea. See a marvelous gallery of photos over at the LIFE site. Above, the film's director Richard Flesicher. "These distinctive suits, as the original captions noted, were a technical problem because they 'had to be invented to clothe the fabled Nautilus crew-- Victorian-looking yet practical and self-contained... the way Jules Verne imagined it for his mythical hero, Captain Nemo.'" 20,000 Leagues Under The Sea photo gallery
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Sneaky pinball makers' tricks

Northwestern economics professor Jeff Ely has a fun post on his blog about the economics of pinball:
Img 3732In 1986, Williams High Speed changed the economics of pinball forever.  Pinball developers began to see how they could take advantage of programmable software to monitor, incentivize, and ultimately exploit the players.  They had two instruments at their disposal:  the score required for a free game, and the match probability.  All pinball machines offer a replay to a player who beats some specified score.  Pre-1986, the replay score was hard wired into the game unless the operator manually re-programmed the software.  High Speed changed all that.  It was pre-loaded with an algorithm that adjusted the replay score according to the distribution of scores on the specified machine over a specific time interval. ...

The other tool is the match probability: you win a free game if the last two digits of your score match an apparently random draw.  While adjustments to the high-score threshold is textbook price theory, the adjustments to the match probability is pure behavioral economics.  Let’s clear this up right away. No, the match probability is not uniform and yes, it is strategically manipulated depending on who is playing and when.  For example, if the machine has been idle for more than three minutes, the match probability is boosted upward.  You will never match if you won a free game by high score.  And it gets more complicated than that.  Any time there are two or more players and they finish a game with no credits left, one player (but only one) is very likely to match.  Empirically, the other players will more often than not put in another quarter to play again.

The Economics of Pinball

(Above: my photo of the Visible Pinball Machine built by Michael Schiess of the Lucky JuJu Pinball Arcade)

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Oscar-winning writer/director Roger Avary (Pulp Fiction, Beowulf) is serving a year in prison for vehicular manslaughter and DWI. Apparently, he's tweeting from prison: @avary. I'm not sure how one tweets while incarcerated (TWI?) in the US, since internet access is not generally afforded to prisoners. Perhaps he's permitted a cellphone with a texting plan. Update: All is explained in the comments. (via Shane Nickerson)

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Perfect origami mushroom

Dave sez, "From the site of a group of radical origami artists called 'Le Crimp', here's a fascinating video on making a near-photo-realistic mushroom from a piece of wrapping paper. Le Crimp was featured in the new origami documentary 'Between the Folds' (which boing boing alerted me to) showing on PBS stations in December (check local listings)."

CRIMP!!! origami: (Thanks, Dave!)

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Glitter and Doom is the latest Tom Waits CD, a double live-disc featuring tracks from his US/Euro 2008 tour, along with a disc of him basically telling jokes and shooting the shit with the audience. It's a real winner.

Waits is one of my favorite recording artists and an even better performer. This album amply demonstrates why a Tom Waits concert ticket is worth anything they want to charge for it, as old favorites like "Singapore" are brought to new life with a sprightly, sinister rendition that reminded me of how I was transported the first time I heard it. The torchy numbers like "I'll Shoot the Moon" are heartbreaking loser's ballads, shot through with hope and sorrow. And the angry, uptempo songs like "Falling Down" and "Goin' Out West" make you want to do something self-destructive and brave and dumb.

Honestly, there isn't a single sub-par track on this disc, nor should there be. After all, this is Tom Waits, the reeling hurdy-gurdy poet of the rasping voice and the ominous circus lyrics. And it's Waits live, palpably feeding off the energy of the audience. It's magnificent.

Glitter and Doom

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PeaceLove sez, "My buddy Chris 'Orbit' Brown just hipped me to this lovely video of one Dimitri Arleri doing some amazing card flourishes, set to an unidentified piece of ambient opera. Most flourish videos are rapid-fire montages of jaw-dropping excellence (ie. the brilliant Buck Twins) but this guy slows the pace and goes for a more flowing, elegant style. Magicians are taking note. Watch to the end; it's killer!"

Card Flourishes: Dimitri Arleri - "Opera" www.thecuso.info (Thanks, PeaceLove)

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In this video clip from New York University's annual talent show four years ago, Stefani Germanotta — aka Lady Gaga — performs two songs she wrote herself. She came in third place. At the end of her performance, one of the judges says: "Norah Jones, look out!" Little did she know that Lady Gaga would not be making Norah Jones-ish music at all. After the jump, a music video from her new album, The Fame Monster, which comes out Monday.

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Gary says:

I’m reading the latest Thomas Pynchon book, Inherent Vice, and he makes reference to this song.

It’s like Tiny Tim is tripping on acid, entertaining children, and predicting global warming — all at once.

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spraypaint.jpg [Click for larger image.] I was lucky enough to see Black Flag play live a number of times in the '80s, around the time Glen E. Friedman shot the photo that graces this book's cover. I was an underage teen sneaking into grownup punk clubs, high on moshpit fumes (and, truth be told, lots else). The band, and that subculture that surrounded them, changed my life.

Spray Paint the Walls: The Story of Black Flag explores the history of one of the most important bands, if not the most important, in American punk history.

Snip from observations by writer Joe Carducci, who was long associated with SST Records (some links added):

"[The book is] very well reported and assembled by Brit music writer Stevie Chick, author of the better of the recent Sonic Youth books. Neither Greg Ginn nor Henry Rollins sat for interviews but their voices are included from earlier interviews, and more importantly Chuck Dukowski spoke to Chick - a first I believe. The story, laid out from the band's earliest practices in 1976 to its end ten years later, makes a far more dramatic book than the usual shelf-fillers with their stretch to make the empty stories of various chart-toppers sound exciting and crucial and against the odds. "

Spray Paint the Walls: The Story of Black Flag (Amazon, book comes out later this month)

Here's a related post on photographer Glen E. Friedman's blog.

You may also be interested in some of Carducci's own writings on the subject of music and fandom.

After the jump: Glen E. Friedman shares an exclusive sneak peek at the back cover, with an '80s photo of Greg Ginn.

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Chuck Prophet documentary


My film director pal Scott Compton just finished shooting a documentary about singer-songwriter Chuck Prophet. Scott and collaborator John Behrens joined Prophet and his band in Mexico City earlier this year where the group recorded ¡Let Freedom Ring!, an album of "political songs for non political people." My favorite Prophet quote from the trailer: "I walk into the (recording studio's) control room and I could not believe what I saw -- I was looking at a studio that is totally state-of-the-art... for 1957." So with a background of earthquakes, H1N1 hysteria, power outages, sirens, and corrupt police, the band plugged in their instruments and set to work. "The best thing about Prophet as a film subject," Scott told me, "is that even as things fell apart around him, he always was looking for the bright side of the mayhem." I can't wait to watch the whole film, slated for completion by March. I'll see Scott later today when he'll be directing a Boing Boing Video interview I'm doing with Swell Season, aka Glen Hansard and Markéta Irglová from the film Once. They're performing tonight at Oakland's Paramount Theatre.

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Demi Moore gets the Ralph Lauren treatment in December "W" Photographer Anthony Citrano recently pointed us to a possible Photoshop Disaster on the cover of W magazine's December issue, in which Demi Moore (aka @mrskutcher) appeared to be missing a chunk of flesh from her hip.

This reminded me of the Ralph Lauren debacle. Many blogs and news sites picked the item up. Over at Jezebel (they posted about it before BB), W magazine fessed to having altered the image, but "nothing out of the ordinary."

Yesterday, Mrs. Kutcher herself tweeted, "Here is the original image people my hips were not touched don't let these people bullshit you!"

Anthony Citrano replies: "I feel bad that Demi is on defense - she should not have to defend other people's mistakes; W Magazine should be addressing this rather than her." Citrano offers $5,000 to the charity of her choosing if the image she tweeted is provably the unretouched original.

Citrano's full reply and details on the thrown-down-gauntlet follow. All of this, by the way, IS VRY SRS BIZNESS.

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Ballad of the Monster Manual

Mixel Pixel's song "Monster Manual" is a loving tribute to the most exciting AD&D hardcover, the one with all the beasties in it. And Dan Meth's animation is just the perfect accompaniment.

Monster Manual (via Neatorama)

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catsforgold.com: Sell your old gold and jewels and get cats delivered right to your front door. An internet riff on the troubled online pawn shop Cash for Gold. (via Calpernia Addams)

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The Huffington Post is collecting blatant lies (and arguable mistruths) from Palin's new memoir, "Going Rouge." Here are a couple for feel:

"Palin boasts that she ran her campaign for governor on small donations and turned back large checks over conflicts of interest. In fact, she relied heavily on large donations and political action committees and took $1,000 each from a couple whose offices were raided by the FBI,"

and,

"Palin says her team overseeing a natural gas pipeline set up an open, competitive bidding process. An AP investigation found they crafted terms that favored only a few companies and ultimately benefited one with ties to her administration."

Send Us Your Palin Falsehoods! (via Memex 1.1)

(Image: DIY Sarah Palin Mask, a Creative Commons Attribution-ShareAlike image from Billypalooza's Flickr stream)

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Truckers-Delight

As Drawn! says: "Before you watch this insane music video by Jérémie Perin, note that is totally not safe for work. Its video-game inspired animation contains pixellated 8-bit depictions of both sex and pooping. The YouTube description reads "Think Spielberg's Duel + Russ Meyer's Faster Pussycat Kill Kill! and Marc Dorcel's wildest fantasies."

Flairs' "Trucker's Delight" (Not safe for work! Not for kids!)

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paleisthenewtan.com. A blog about the dangers of fake tanning. (via JDP)

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YouTube's new 3D showcase

rose.jpg I met with a bunch of YouTube folks in the Bay Area recently, and learned of new features and services they'll be launching. One of those is a new anaglyph 3D channel, where you can find lots of videos, amateur and pro, to view wearing those funny blue-and-red glasses. The blooming rose, above, looks kinda cool even without the glasses.

YouTube: 3D Channel

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In 1990, MTV aired a groundbreaking TV documentary series called Buzz. Created and directed by Mark Pellington (Mothman Prophecies, Pearl Jam's "Jeremy" video), Jon Klein, and Mark Neale in partnership with MTV Europe, Buzz was a fantastic experiment in non-linearity and cut-up that drew heavily from -- and presented -- avant-garde art, underground cinema, early cyberpunk, industrial culture, appropriation/sampling, and postmodern literature. Experientially, it feels like what Mondo 2000 would have looked like as a television show, and in fact Mondo founder RU Sirius was interviewed on the first episode. Other notable contributors/subjects included William S. Burroughs, Jenny Holzer, Genesis P-Orridge, Syd Mead, and many other happy mutants. This was the future of television, circa 1988. Too bad it didn't quite pan out this way. I'm delighted that YouTube user BlackFlagParty has posted the first episode online. I wish the full 13-episode series would be issued on DVD! Above is segment 1 from episode 1. The rest of the segments are after the jump.

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This weekend, I'll be wrapping up my US/Canada tour for Makers, my new novel, with a weekend at Philcon, near Philadelphia. I'll be signing books, doing a reading, giving a speech, and appearing on several panels. Hope to see you there!

Important note: I had previously announced a couple of readings tomorrow at the Philadelphia Free Library. It turns out that these are not open to the public (they're for school groups, which no one told me until last night). Sorry about this, folks.

Philcon: Nov 20-22
The Crowne Plaza Hotel, Cherry Hill, NJ

US/Canada Tour

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This is a great idea -- a show about useful DIY skills, set in a zombie apocalypse context. It reminds me a bit of Max Brooks marvelously deadpan Zombie Survival Guide.

Guns 'n Gardens

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Black-Dossier

Two workers at a Lexington, Kentucky public library were fired after it was discovered that they had teamed up to keep a copy of Alan Moore's The League of Extraordinary Gentlemen: The Black Dossier out of circulation.

According to the story, Sharon Cook, 57 and Barbara Boisvert, 62, basically colluded to keep the book out of circulation -- Cook, who had become disturbed by the book's imagery, checked it out for a year, meaning no one else could check it out. However, when an 11-year-old girl put it on hold, Cook was unable to continue her delaying tactic -- and Boisvert stepped in, removing the hold, and keeping the book out of circulation.

Both were fired for their actions. The Jessamine County Public Library has not commented on what they call a personnel matter.

Cook seems to have some kind of obsession with the book -- she's still carrying it around in her knapsack, the dirty parts marked with Post-Its. This, despite what she describes as her mortal danger when reading the book:


"People prayed over me while I was reading it because I did not want those images in my head," she says.

Alan Moore, destroyer of library workers

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Sony's begun taking pre-orders for its new flagship "Daily Edition" reader (Think Kindle DX with less bitter DRM magic beans) for delivery next month. B&N Nook pre-orders are live, too.

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Ah, yes, the old "affectionate kitteh" ruse! Video of cat who really, really wanted to befriend an officer who really, really wanted to finish writing a motorist ticket. (via @bbsuggest, thanks @dsjwhatnot)

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Someone's apparently developing a live-action CGI motion picture adaptation of the Smurfs. It gets weirder: John Lithgow is rumored to be cast as Papa Smurf. First the Chipmunks, now this atrocity? (via Steven Leckart)

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A YouTube compilation of "100 greatest quotes" from the HBO series The Wire. As Aaron Stewart-Ahn on Twitter said, "Perhaps the closest US TV has ever come to a landmark novel."

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Uitgeverij De Vliegende Hollander is the Dutch publisher for Little Brother, and they've really put a big push behind it. Unfortunately, they're also locked into distributing their catalog as DRM-crippled ebooks through an online retailer that is the only major ebook vendor in the Netherlands.

But they're good folks at my publisher, and they're not fond of DRM either. When I asked them if there was some way we could sell the ebook without DRM, they told me that it was impossible (only one major ebook vendor, remember?), but would I mind if they just gave away the ebook in DRM-free ePub form?

Would I mind? That's a dandy solution! Here's a link to the free, DRM-free Dutch ePub version of Little Brother. Tell your (Dutch) friends, and be sure to stay clear of that infected DRM copy that's being sold.

Little Brother ePub (DRM-free) (Thanks, Rienk!)

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Scooby Doo Apocalypse tee


Travis Pitts's awesome Scooby Doo/Zombie mashup design is now a (limited time) Threadless tee!

We've Got Some Work To Do Now by Travis Pitts

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I've just started podcasting a new story: MARTIAN CHRONICLES is a story I'm working on for Jonathan Strahan's forthcoming LIFE ON MARS young adult anthology. It's a story about the colonization of Mars by free-market absolutists and the video-games they play.
They say you can't smell anything through a launch-hood, but I still smelled the pove in the next seat as the space-attendants strapped us into our acceleration couches and shone lights in our eyes and triple-checked the medical readouts on our wristlets to make sure our hearts wouldn't explode when the rocket boosted us into orbit for transfer to the *Eagle* and the long, long trip to Mars.

He was skinny, but not normal-skinny, the kind of skinny you get from playing a lot of sports and taking the metabolism pills your parents got for you so you wouldn't get teased at school. He was kind of pot-bellied with scrawny arms and sunken cheeks and he was brown-brown, like the brown Mom used to slather on after a day at the beach covered in factor-500 sunblock. Only he was the kind of all-over-even brown that you only got by being *born* brown.

He gave me a holy-crap-I'm-going-to-MARS smile and a brave thumbs-up and I couldn't bring myself to snub him because he looked so damned happy about it. So I gave him the same thumbs up, rotating my wrist in the strap that held it onto the arm-rest so that I didn't accidentally break my nose with my own hand when we "clawed our way out of the gravity well" (this was a phrase from the briefing seminars that they liked to repeat a lot. It had a lot of macho going for it).

The pove smelled like garbage. There, I said it. No nice way of saying it. Like the smell out of the trash-chute at the end of our property line. It had been my job to haul our monster-sized tie-and-toss bags to the curb every day and toss them down that chute and into the tunnel-system that took them out to the Spruce Sunset Meadows recycling center, which was actually *outside* the Spruce Sunset Meadows wall, all the way in Springville, where there was a gigantic mega-prison. The prisoners sorted all our trash for us, which was good for the environment, since they sorted it into about 400 different categories for recycling; and good for us because it meant we didn't have to do all that separating in our kitchen. On the other hand, it did mean that we had to have a double cross-cut shredder for anything like a bill or a legal document so that some crim didn't use it to steal our identities when he got out of jail. I always wondered how they handled the confetti that came out of the shredder, if they had to pick up each little dot of it with their fingernails and drop it into a big hopper labelled "paper."

Martian Chronicles, Part 01

MP3 Link

Podcast feed

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David Moles, a wonderful, up-and-coming sf writer, did me the honor of writing a story called Down and Out in the Magic Kingdom (this is, of course, the title of my first novel) -- inspired, in part, by my ongoing experiment of writing stories with the same titles as famous sf books (so far: "Anda's Game," "I, Robot," "True Names" -- and, in progress, "Martian Chronicles" -- "The Man Who Sold the Moon" is on the drawing board).

What's more, David's story is superb, a spectacular and weird and smart story about theme parks, singularity, and humanity. Originally published in Nightshade Books's Eclipse Two, it is also now available as a free, Creative Commons licensed download.

The twinks fell into Dragontown

The twinks fell into Dragontown out of the noonday sun, a constellation of spiky-black shapes each with its own trail of shadow like the tail of a cartoon meteor, darkening the tropical-blue sky, scattering frightened critters from the scaled rooftops. They were every race in the Legion: mandrill-faced bavians, jackal-headed anubit and anubim, black-beaked corven and leathery-winged gaunts, fiery clowns and scaled salamanders, goblins, mechanists, satyrs, araneae, orcas and cuttlemen. They were, every one of them, extravagantly mounted, every one level-capped, every one gaudily equipped and maximally buffed.

And not one of them belonged in Dragontown.

Dragontown was a neutral town, a sleepy town deep in the mid-levels. A stopping-point, once, for guests on their way to the Outlands or the Newlands or the Deathlands; but these days even the Newlands were old news. There were only a handful of guests in Dragontown to bear witness to the Legion's invasion, to applaud or run for cover or (like the old perroquet airmaster Valerius Redbeak, who had given up battlegrounds and quests alike in the long-ago days of the seventh expansion, and now spent his days fishing off Bonetalon Pier) simply roll their eyes, according to each guest's faction and sophistication.

Down & Out in the Magic Kingdom
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The forthcoming DVD release of Star Trek: The Original Series - Season 3 includes a pilot episode previously only available on the bootleg circuit. Apparently a German film collector found a print of this alternate version of the second Star Trek pilot, titled "Where No One Has Gone Before," and brought it to Paramount. Above are some clips from that alternate version of the pilot, which has never officially been released until now. From The Live Feed:
The alternate version is in three parts with 1970s-style act breaks, an entirely different version of Captain James T. Kirk's opening monologue ("But now a new task. A probe out into where no man has gone before") and music that contrasts from the famous opening theme and an extended action sequence.

From the (press) release:

This version of "Where No Man Has Gone Before" was completed in 1965 and features archived footage that was not included in the pilot episode ultimately broadcasted.  Never-before-aired, this newly recovered version is believed to be what was originally screened for NBC, and the basis for their decision to broadcast STAR TREK.

Star Trek: The Original Series - Season 3, Blu-ray (Amazon, thanks Jason Weisberger!)

UPDATE: From Memory Alpha, more background on this alternative version of the pilot episode:
There is a different, pre-broadcast cut of ("Where No One Has Gone Before") in the archives of the Smithsonian Institution. This unique cut includes a few brief scenes trimmed from the aired cut of the episode, different opening titles, and a unique closing theme. The alternate closing theme can be heard on the GNP Crescendo CD Star Trek: Original Series (Volume 1) "The Cage" / "Where No Man Has Gone Before". The pre-broadcast cut is commercially available only in bootleg form, although it has been screened at numerous conventions. Paul Carr was credited as "Navigator" in the end credits of the original cut. The version on the first season box set may contain the alternate ending theme, but does have the changed credits. This cut will be finally be available commercially on the Season 3 Blu-Ray set.
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What did Bob "Happy Little Trees" Ross do before becoming PBS's resident mellow hippie artist on The Joy of Painting? Would you believe, Air Force master sergeant? Turns out, the Ross we know is really a reaction against 20 years spent being "the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work."

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More details out today on Comcast's "TV Everywhere" service launching in December. "Yes, this does still count against the 250GB monthly cap if used at home and still no word on HD streaming." Related: NYT on Comcast's $30 billion takeover bid for NBC Universal. (via Andrew Baron)

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I attended a YouTube roundtable in San Francisco yesterday, and learned of many features coming soon, including this: Starting next week, YouTube's HD mode will add support for viewing videos in 720p or 1080p. In this blog post, see how much this enhances one's experience of a dog's snout.

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Fascinating interview at The Wrap with the creators of District 9. The film was the alien love child of Halo, and Blomkamp's Alive in Joburg, a short film I blogged here on BB in 2003. "The only area of contention was he wanted to kill off little CJ, [the baby prawn]... He actually wanted to write him out of the script because he cost more to render."

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Welcome to the fifth serialized installment of J.C. Hutchins' human cloning thriller 7th Son: Descent. A recent review in Publishers Weekly said, "(T)hriller readers seeking edge-of-your-seat action flavored with conspiracy and futuristic tech will love every page."

If this is your first exposure to our free serialization of 7th Son, you can easily catch up by reading part one, part two, part three and part four. If you're enjoying this serialized experience, support the book by purchasing a copy.

Part 5

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The last of this year's excellent "SF in SF" reading series is coming up on Nov 14, at 7PM:
Jeff VanderMeer, recent Guest of Honor at the World Fantasy Convention 2009, is touring for his final novel in his Ambergris Cycle, "Finch," published by Underland Books, and for his writers' guide "Booklife," published by Tachyon Publications. His associated Booklifenow website focus on sustainable creativity, and is a unique writing guide to sustainable careers and sustainable creativity - the first to fully integrate discussion of the role of new media into topics that have always been of interest to writers.. With his wife, Ann VanderMeer, he's edited the charity anthology "Last Drink Bird Head," "New Weird," and "Steampunk." His short fiction has appeared in Conjunctions, Library of America's American Fantastic Tales, and several year's best anthologies. He writes nonfiction for The Washington Post Book World, Omnivoracious, The New York Times Book Review, the B&N Review, and many others.

S. G. Browne, is the author of "Breathers: A Zombie's Lament," a dark comedy about life after undeath told from the perspective of a zombie. His second novel, "Fated," is a dark, irreverent comedy about fate, destiny, and the consequences of getting involved in the lives of humans. His take on zombies, "So what happened to make them so popular today? I'll tell you what happened. Zombies were taken out of their proverbial archetypal box. No longer are they just the shambling, mindless, flesh-eating ghouls we've known and loved for most of the part four decades. They've expanded their range, become more versatile. More well-rounded. And who doesn't enjoy a well-rounded zombie?" Introduce the modern complications of a zombie trying to find himself in this mad, mad world, and how best to bring your undead girlfriend home to meet mom, and you've got yourself a story!! Check out the blog on http://www.sgbrowne.com, and ask him your own zombie apocalypse questions.

Seating is limited - first come first seated

The Variety Preview Theatre
The Hobart Bldg., 1st Floor - entrance is between Quiznos & Citibank 582 Market St. @ 2nd and Montgomery, San Francisco
phone, night of event - 415-225-7445

SF in SF Reading/Event (San Francisco, CA) (Thanks, Rina!)
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I always celebrate when a new Terry Pratchett novel hits the stands -- doubly so now that health problems are slowing him down from his normal superhuman output to a merely impressive one. But I confess I was a little less excited to learn that the newest Pratchett Discworld book, Unseen Academicals, was about football (AKA soccer). I'm not a sports fan. I wasn't a hockey fan when I lived in Canada. I wasn't a baseball fan when I lived in the US. I'm not a footie fan now that I live in the UK. But I gave it a whirl: this is Terry Pratchett, after all. I'd read his grocery lists.

A word about Pratchett for the uninitiated. Terry Pratchett is an incredibly funny, warmly human British fantasy (mostly) novelist. He writes at an impossible rate. Most of his books are part of a sprawling, infinitely varied fantasy series called Discworld, about a flat, disc-shaped planet that is carried on the backs of four gigantic elephants who tramp in slow circles around the back of a vast, interstellar turtle called A'Tuin. On Discworld, everything happens. There are imperial battles and barbarians; witches and trolls and dwarves in the hills; animist spirits on lost continents; and there is a vast and wonderful and terrible city called Ankh-Morpork. Ankh-Morpork is presided over by a tyrant called Lord Vetinari, who is quite progressive as tyrants go. For one thing, he's let the trolls, vampires, medusae, dwarves, werewolves, zombies, and assorted other nonhumans into the city. For another, he's organized the thieves into a guild to whom one can pay an annual license and be guaranteed a life free from official thieving (freelance thieves are dealt with most firmly by the guild).

You can read the Discworld books in almost any order. Some of them run in little trilogies that follow the same characters, but even if you picked up the second or third volume of these, you'd probably get along OK -- Pratchett is quite good at getting newcomers to Discworld up to speed on its basics.

Back to Unseen Academicals. Here's the setup: the wizards of Unseen University have discovered that a key grant from a former Archchancellor requires them to keep a football team that plays regular matches. It's been decades since the last UU team was fielded, and they're in imminent danger of losing a substantial source of funding. Meanwhile, football itself -- as played on the streets of Ankh-Morpork -- is a vicious game that is more riot than sport, and the wizards of UU have no intention of getting involved in that mess.

So they cook up a plan to reform football -- and to field a team of their own, coached by Nutt, a mysterious (and erudite) goblin who has been heretofore employed as a candle-dribbler (no self-respecting wizard wants to do magic by the light of a pristine, unmarked candle) in the cellars of UU.

That's the setup. Here's the payoff: it's brilliant. The novelist's best trick is to make you care about stuff you don't care about. It's what Fever Pitch does. And it's what Unseen Academicals does, too. Pratchett shows us how sport is part of the emotional life of a city, and how its significance resonates across generations, across regional parochialism, across social strata, uniting us behind something that transcends the mere game.

What's more, Pratchett shows us how fragile a thing this is, how vulnerable it is to greed and thuggishness and venality, and how those who defend the game do so for the best reasons imaginable. As Pratchett says, "The thing about football is, it's not about football."

I wouldn't call this the best Discworld novel ever (I think my vote for that honor would go to Monstrous Regiment, which, incidentally, can be read without having read any of the other Pratchett novels). But it's in the top five.

A word of warning: it's also one of the most inside-baseball (you should forgive the expression) of the Discworld books, requiring a fair bit of familiarity with the previous books in the series to be fully appreciated. It's a real gift from Pratchett to his fans, in other words, and I, for one, am grateful for it.

Unseen Academicals (Amazon US)

Unseen Academicals (Amazon UK)

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The men who stare at Goatse

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Frank Fairfield is totally awesome

Last week, I stumbled into a jam session with Frank Fairfield and other musicians by accident, and blogged a quick iPhone video snapshot. The next day, I started googling and YouTubing and Myspacing to find out more about each of the musicians, and found this. A stunning video of Fairfield performing "Nine Pound Hammer." Give me chills. Shot and directed by Keith Musil (I'm dying to know what he shot with, doesn't it look great?).

There are a few more YT clips in this series, they're all gorgeous. I missed Fairfield's live show last night at the Redwood in LA with Blind Boy Paxton, but I hope to catch them, together or separately, soon.

Robin from the Fleet Foxes described him like this, in Rolling Stone:

fairfieldth.jpg"He's like 26 years old and he sounds like Mississippi John Hurt," says Robin. Fairfield plays fiddle and banjo player and strums back-porch bluegrass, complete with shaky jug-band vocals reminiscent of The Foggy Mountain Boys from way back in the '40s (think O Brother, Where Art Thou?).

"He's kinda crazy," says Robin. "He has his own radio show where he just plays these old gramophones. He just puts a mic up and plays all these field recordings from the 1900s; it's insane. He dresses like it's the early 1900s. He's born out of time, and his voice is amazing."

Buy his music: His self-titled album Frank Fairfield, and the EP I've Always Been a Rambler (Amazon MP3s).

He's playing a bunch of West Coast US tour dates from now through January: San Francisco, Eugene, Portland, Tacoma, Seattle and other ports of call.

Videos:
Frank Fairfield - "Nine Pound Hammer"
Frank Fairfield - "Short Life of Trouble"
Frank Fairfield - "Tim Brooks"

Some blog posts about Fairfield: LA Record, naturalismo, passionweiss. And here's an LA Weekly profile.

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This is surely one of the most adorable animal YouTubes in the history of all internets. (via @maggiekb1 via this blog).

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Panoramic view from a tongue


Dentistry in depth in Barcelona

Jeffrey sez, "Nico Roig created this fantastic visualization of a mouth at the dentist. The image of the dentist is a real photo, and the mouth is Nico's creation. If you ever wanted to see what it's like sitting on the tongue like a piece of candy... here you go."

Dentistry in depth (Thanks, Jeffrey!)

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